Plight of seafarers highlighted by ‘dumb scenario’
WHAT started as a unique artist residency program for British filmmaker Rebecca Moss has changed into a bizarre predicament, as she and the group of the Hanjin Geneva await word while the deliver presently anchored some 20 kilometers off the coast of Japan will ultimately be allowed to dock.
Moss boarded the Hanjin Geneva at Roberts Bank, California on August 24 for what became supposed to be a 23-day voyage to Shanghai as part of an artist residency application known as “23 Days at Sea.” The application, sponsored via a Vancouver artwork gallery, furnished artists with a threat to work undisturbed on an extended sea voyage, however was something else when on August 31 Hanjin filed for courtroom receivership in its domestic u . S . A . Of South Korea.
Moss, who unlike the general public of the world’s seafarers at least has a few connection to the outside world through Twitter (on average, only approximately 12 percent of ocean-going shipment crews have internet get right of entry to), shared some of her frustration at her unexpected celebrity.
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